Saturday: 10:00 am – 6:00 pm (during performance season) The San Francisco Ballet Box Office at the Opera House opens four hours before the performance on performance days only.Ĭontact: 415.864.3330 | Hours: Performance day phone hours are 10:00 am until the performance begins. San Francisco Symphony Box Office SAN FRANCISCO BALLET We strive to keep ticket fees low by working with local ticketing companies, though occasionally presenters in our venues will choose to use a national ticketing service, such as Ticketmaster, which will be indicated in the program listings.
SFWMPAC does not present or produce events and tickets are not sold through our offices. Please visit our Calendar of Events to find links to presenters' websites and ticket information. The careful planning of physical, electrical and signal infrastructure throughout the building became an armature that can support technological developments for many years to come.Tickets for all performances and events are sold through center-affiliated box offices (see list below). These vital distribution systems became a backbone for production monitoring, performer paging, communications and special sound effects. This significant development process was done in complete collaboration with the technical and creative staff of both the Opera and the Ballet.Īnother critical part of the new infrastructure was the distribution of audio and visual signals throughout the Opera House. These included the entire theatrical lighting system, automation controlled motorized flying systems, rigging and lighting bridges, new draperies and replication of the historic house curtain and all backstage communications and sound systems. The renovation enabled an opportunity to develop entirely new cutting-edge theatrical systems that prototyped what would become industry standards.
Providing audio-video design and theatre consulting services for the renovation and restoration and working closely with the San Francisco Opera and Ballet, the firm designed and developed the replacement of obsolete and earthquake-damaged theatrical systems and infrastructure. Retained in 1996 by the Committee to Restore the Opera House to oversee the complete technical renovation of the Opera House, Auerbach Pollock Friedlander’s charge was twofold bring the building’s outdated theatrical systems into the twenty-first century while preserving and enhancing the existing architectural values of the 1932 Beaux Arts structure.
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